视频简介
Chuck Levine和Larry Valentine是同一个消防站的消防队员，两人在平时的工作中都表现极为突出，每每成为全站的学习楷模。在一次救火过程中Chuck遇险，多亏Larry奋力扑救才让他捡回一条小命。心怀感激的Chuck一直想找机会报答此救命之恩。终于，他等到了这个机会——成为Larry的新娘！原来Larry因为是单身而无法让前妻留给他的两个孩子成为自己的人身保险受益人。他需要一个配偶，即使，他是个男人。于是，他们伪装成夫妇，企图骗取政府的信任。不过如此浅薄伎俩怎能瞒得过所有人雪亮的眼睛。一个好管闲事的政府职员就看出了个中猫腻。为了揭穿他们，他故意制造新闻引得大报小报都开始频繁的对这对夫妇进行报道，并对他们开始进行全方位的狗仔跟拍，让两位灭火英雄着实过了一把明星瘾。一时间所有新闻“满城尽带消防员”的挂满了他们的照片。面对如此空前盛大的群众热情，这对半路夫妻也不得不作出一副恩爱的样子出现在公众面前。骑虎难下的难兄难弟只好开始了他们的蜜月之旅，由此，剧情在两个大男人的后现代生活中层层铺展，笑料叠出。而最终走过公众考察期的哥俩也开始明白了婚姻和家庭的真谛……。在天下失序、列强割据的时代，僧人祥庵将一名孤儿从中国带到了日本。孤儿名叫仔太郎，他背负着一个惊人的秘密，中国的某武装组织追着他也到了日本。 祥庵死后，孤苦无依的仔太郎带着爱犬飞丸前往赤池之国的万觉寺，在途中遇见了神秘剑士“无名”。仔太郎遭到追杀，危急时刻无名救了他一命。从此两人结伴同行。性格乖僻的浪人和紧闭心扉的少年虽然磕磕碰碰不断，但渐渐成了好朋友。 白鸾率领的追杀组织还是抓住了仔太郎，他们开始着手筹备某种仪式。金发碧眼的剑士“罗狼”也是追杀组织中的一员，他虽然听命行事但并不真正在意组织的目的，对他来说，寻找可以与自己匹敌的对手才是生命的意义。而罗狼与无名之间的生死对决也拉开了帷幕……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。